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Master Painters
United Kingdom
Приєднався 9 вер 2018
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With over 2000 ultra hd videos filled with the best and most influential artworks by history's greatest old masters, ready to go live over the coming months you will always find something new to inspire, teach, or just help you relax.
The channel is dedicated to providing Ultra HD fine art slideshows featuring portfolios from the worlds great master painters.
Please support us by leaving a comment and subscribing to our channel.
With over 2000 ultra hd videos filled with the best and most influential artworks by history's greatest old masters, ready to go live over the coming months you will always find something new to inspire, teach, or just help you relax.
The channel is dedicated to providing Ultra HD fine art slideshows featuring portfolios from the worlds great master painters.
Please support us by leaving a comment and subscribing to our channel.
Édouard Manet - A Collection of Paintings - now with titles and close-ups
A collection of the works of Édouard Manet in 4k. Each painting has title and date information as well its current location. The majority of the painting have close-up views allowing you to see the works in detail. This is a silent video.
Édouard Manet 23 January 1832 - 30 April 1883 was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art.
In 1856, Manet opened a studio. His style in this period was characterized by loose brush strokes, simplification of details, and the suppression of transitional tones. Adopting the current style of realism initiated by Gustave Courbet, he painted The Absinthe Drinker (1858-59) and other contemporary subjects such as beggars, singers, Gypsies, people in cafés, and bullfights. After his early career, he rarely painted religious, mythological, or historical subjects; religious paintings from 1864 include his Jesus Mocked by the Soldiers in the Art Institute of Chicago, and The Dead Christ with Angels, in the Metropolitan Museum of Art, New York. Manet had two canvases accepted at the Salon in 1861.
Manet depicted many scenes of the streets of Paris in his works. The Rue Mosnier Decked with Flags depicts red, white, and blue pennants covering buildings on either side of the street; another painting of the same title features a one-legged man walking with crutches. Again depicting the same street, but this time in a different context is Rue Mosnier with Pavers, in which men repair the roadway while people and horses move past.
Historian Isabelle Dervaux has described the reception this painting received when it was first exhibited at the official Paris Salon of 1874: "Visitors and critics found its subject baffling, its composition incoherent, and its execution sketchy. Caricaturists ridiculed Manet's picture, in which only a few recognized the symbol of modernity that it has become today".
Manet painted several boating subjects in 1874. Boating, now in the Metropolitan Museum of Art, exemplifies in its conciseness the lessons Manet learned from Japanese prints, and the abrupt cropping by the frame of the boat and sail adds to the immediacy of the image.
Manet's public career lasted from 1861, the year of his first participation in the Salon, until his death in 1883. His known extant works, as catalogued in 1975 by Denis Rouart and Daniel Wildenstein, comprise 430 oil paintings, 89 pastels, and more than 400 works on paper.
Although harshly condemned by critics who decried its lack of a conventional finish, Manet's work had admirers from the beginning. One was Émile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
The roughly painted style and photographic lighting in Manet's paintings were seen as specifically modern, and as a challenge to the Renaissance works he copied or used as source material. He rejected the technique he had learned in the studio of Thomas Couture - in which a painting was constructed using successive layers of paint on a dark-toned ground - in favour of a direct, alla prima method using opaque paint on a light ground. Novel at the time, this method made possible the completion of a painting in a single sitting. It was adopted by the Impressionists and became the prevalent method of painting in oils for generations that followed.
Manet's work is considered "early modern", partially because of the opaque flatness of his surfaces, the frequent sketch-like passages, and the black outlining of figures, all of which draw attention to the surface of the picture plane and the material quality of paint.
In April 1883, his left foot was amputated because of gangrene caused by complications from syphilis and rheumatism. He died eleven days later on 30 April in Paris. He is buried in the Passy Cemetery in the city.
In 1881, with pressure from his friend Antonin Proust, the French government awarded Manet the Légion d'honneur.
More Impressionist Painters
ua-cam.com/play/PLA3DWLD8grG5zDYksuIsZLE2n0rabjZ0v.html
Édouard Manet 23 January 1832 - 30 April 1883 was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art.
In 1856, Manet opened a studio. His style in this period was characterized by loose brush strokes, simplification of details, and the suppression of transitional tones. Adopting the current style of realism initiated by Gustave Courbet, he painted The Absinthe Drinker (1858-59) and other contemporary subjects such as beggars, singers, Gypsies, people in cafés, and bullfights. After his early career, he rarely painted religious, mythological, or historical subjects; religious paintings from 1864 include his Jesus Mocked by the Soldiers in the Art Institute of Chicago, and The Dead Christ with Angels, in the Metropolitan Museum of Art, New York. Manet had two canvases accepted at the Salon in 1861.
Manet depicted many scenes of the streets of Paris in his works. The Rue Mosnier Decked with Flags depicts red, white, and blue pennants covering buildings on either side of the street; another painting of the same title features a one-legged man walking with crutches. Again depicting the same street, but this time in a different context is Rue Mosnier with Pavers, in which men repair the roadway while people and horses move past.
Historian Isabelle Dervaux has described the reception this painting received when it was first exhibited at the official Paris Salon of 1874: "Visitors and critics found its subject baffling, its composition incoherent, and its execution sketchy. Caricaturists ridiculed Manet's picture, in which only a few recognized the symbol of modernity that it has become today".
Manet painted several boating subjects in 1874. Boating, now in the Metropolitan Museum of Art, exemplifies in its conciseness the lessons Manet learned from Japanese prints, and the abrupt cropping by the frame of the boat and sail adds to the immediacy of the image.
Manet's public career lasted from 1861, the year of his first participation in the Salon, until his death in 1883. His known extant works, as catalogued in 1975 by Denis Rouart and Daniel Wildenstein, comprise 430 oil paintings, 89 pastels, and more than 400 works on paper.
Although harshly condemned by critics who decried its lack of a conventional finish, Manet's work had admirers from the beginning. One was Émile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
The roughly painted style and photographic lighting in Manet's paintings were seen as specifically modern, and as a challenge to the Renaissance works he copied or used as source material. He rejected the technique he had learned in the studio of Thomas Couture - in which a painting was constructed using successive layers of paint on a dark-toned ground - in favour of a direct, alla prima method using opaque paint on a light ground. Novel at the time, this method made possible the completion of a painting in a single sitting. It was adopted by the Impressionists and became the prevalent method of painting in oils for generations that followed.
Manet's work is considered "early modern", partially because of the opaque flatness of his surfaces, the frequent sketch-like passages, and the black outlining of figures, all of which draw attention to the surface of the picture plane and the material quality of paint.
In April 1883, his left foot was amputated because of gangrene caused by complications from syphilis and rheumatism. He died eleven days later on 30 April in Paris. He is buried in the Passy Cemetery in the city.
In 1881, with pressure from his friend Antonin Proust, the French government awarded Manet the Légion d'honneur.
More Impressionist Painters
ua-cam.com/play/PLA3DWLD8grG5zDYksuIsZLE2n0rabjZ0v.html
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Відео
William Bouguereau Paintings 2 (1825-1905) A collection of paintings. 4K
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William Bouguereau (1825-1905) French academic painter. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salo...
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Переглядів 16 тис.4 роки тому
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Переглядів 8 тис.4 роки тому
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His work is amazing, it seems they are alive and full of peace, he is one of the best, i guess i have no words to express how much i admire him.
Amazing 😊
Огромное спасибо за интересное видео
Muito top
Second rate reproductions poorly presented.
좋은 작품 감사합니다!
Thanks fellow art lover 🎨❣️
Very good painting 😊❤
Please fix the audio. It seems this video was attacked by the Christian Fundamentalists and the far-right demagoguery.
Lindas pinturas!
amazing...
Are these all Picasso’s? If so I am blown away. You always see the same ones. OMG and these, well I guess it’s time to roll up them sleeves.
THANK YOU for NOT animating these like all the other clueless butchers that think that cutting up a painting and moving the parts around in constant movement actually aids our looking at them.
absolutely monster painter. if he was an American or a French, perhaps, he was Definity more well-known.
A master artist and his excellent paintings.
A master artist and his excellent paintings.
Great great artist.
Could you write the names of the paintings please
Hello, what is the name of the 2 painting on the video, I can’t find it anywhere? Thank you
to move the brush in such a way , and walk away again, and again , touch this look , touch that, walk away and look , patience
Salamat po happy and joyful artist from the Philippines NicanoR
No audio. How strange.
Thanks so much...especially for a chance to view some seldom-seen Sargent portraits. I appreciate the detail in close-ups...how masterfully Sargent could create a portrait with such great likeness, and yet these paintings show a broad and simple application of paint. Pure magic!
Funny because the first image is actually not made by Gerard Dou himself.
Vers 18:30, on peut admirer un portrait de François Langlois jouant d'une musette de cour équipée d'un soufflet et d'une souche de bourdons ; ce tableau a été peint aux alentours de 1637.
Great job with this. Bellotto is one of my favorites.
17:26 there in the background looks like a horror film horse or my imagination runs wild.
Beautiful ! But it's stupid that some paintings are shown several times...
An excellent artist, often derided by the ’art world’.
BRAVO...!!!
I want to get a tattoo of his Diogenes
the sea and the paintings are not violent. the sea is a hostile environment to humans, same as the night or dark. many creatures flourish there, same as we do on the land and in the day time. the paintings reflect truth, these paintings reflect truth where most cultivate it to be what they want to see. to turn wild nature into an English country garden
Excellent!!!
Excellent
Picasso is so far beyond genius, it's completely incomprehensible to me lol. Someone like him who draws and paints from birth, all day everyday, with complete passion and love, for his entire life until the hour of his death, it's impossible for anyone to catch up to him!! you'd need multiple lifetimes! thank god he lived as long as he did, imagining if he died in his 20's or 30's like mozart...
THANKS for the silence as we can more fully focus on what we should.
🙏
Why is there no sound?????
beautiful, thank you
Ilya Repin's style is rather like a more serious Russian version of Norman Rockwell. I mean that as a good compliment. Great drawing, difficult compositions with so many people to include. Ilya captures the expressions, the characters and the mood of the moment with the feeling that we are there sharing the experience. Thank you Master Painters for introducing Ilya's work to us.
Something is wrong with the audio.
🤔 It wouldn't hurt to give a brief explanation of the paintings!
No sound?
Reynolds è un grande ritrattista ma fuori dal suo genere annaspa. Batoni è grande sia nel ritratto sia nelle pale d'altare, nelle scene religiose, bibliche, mitologiche ecc. Inoltre Reynolds anche come ritrattista gli deve molto.
I always felt like you could take any of his paintings, cut them up into 20 segments, and display those as abstract art pieces of their own. 😁
Fantastic painter.
Really great painter.
Thank you. An absolute master of alchemy. His feeling and emotion created with his hands and heart. The endless experimentation. Nothing out of bounds. Like you can feel him there.
*Thanks*
Super animal and horse paintings, he really understood their anatomy. Great presentation, thank you